High-Functioning Flesh "Culture Cut"

Since the inception of Gregory Vand and Susan Subtract’s electro-punk outfit High-Functioning Flesh in 2012, the band has proven to be one of the most singular acts in years, defying the genre tag of “classic” EBM, as the creativity and fresh perspective they bring to the stage and studio has been instrumental in carving out a modern audience for the genre – elevating HFF into a category all their own.

Produced and mixed solely by the band in their personal studio during the Fall of 2016, Vand and Subtract felt the need to start the recording process on fresh footing, and composed “Culture Cut” using a variety of vintage Roland and Oberheim equipment, creating entirely new percussion and synth samples to break out of familiar writing habits.

The result was an album written in the face of a world unraveling – with several tracks addressing the dynamics of life in our current political climate. Songs such as “Drawn Out” discuss the observation of projected failure in our daily lives while “Provoke the Wound” projects a vision of dystopian collapse. “Hands at Play” reveal the band’s more melodic sound, previously debuted on “Heightened State”, the b-side to last year’s “Human Remains” single. Regardless of this pliant approach, lyrically the band holds firm to its abstract doubt and disinclined sense of compromise. “Invoking Phantoms” was written as a dedicatory ritual in remembrance of friends lost to the Ghostship Fire in Oakland, CA during the Winter of 2016. From the initial concept to the final production, “Culture Cut” is a complete reboot from top to bottom with their process, style and sound.